Fairies You Are Yet To Meet

So some of you here have been playing around with a couple of recipes from the Venetian Persian and Arabic alchemists.

For those of you who have been embarking on that venture, let me remind you of something from the past, from the Bohemian and Salon cultures of Paris in the 19th century.

This is quite late in the piece, certainly, when it comes to some of the more exotic aspects of the sophisticated groups whose lineage goes well back into history, through Switzerland, Venice, and way way back before then to the time when there was a wine preparation in ancient Greece which used the plant artemisia.

All the same, what we do know about the practice of producing the desired absinthe louche by the Parisian drinkers, was that it was not a consistent outcome that was always attained, even though the whole systematic process itself had been fully-developed by then.

This is partly because, frankly, what to actually do is somewhat of a closely-held secret. More so today than ever before, since today people tend to rely on the alcohol industry and the commercial operators and the ideology of government regulation that is tied to science determinism - and assume therewith that these things know all 'truth.'

But see, artemisia is not really green - and it is not the thing that accounts for the strong luminous green color of absinthe. Artemisia is a sort of a dusky pale bluish-greyish plant with some yellow flowers and only a small phase of its growth cycle in which the leaf systems and stems are green, but even then only a very dull green.

What gives the strong green hue is green fennel.

Now... Those of you who have received and have been very attentive to what they were reading then in the recipe descriptions and techniques for its use - will know something about an 'activating/augmenting' substance in the preparations we talked about.

But the same is true of ordinary absinthe that you can buy from the store.

None of those drinks will give you this evasive 'Green Fairy' experience for which the thing was famous in the Paris salon societies of the 18th century - and the modern common and wrong excuse is that modern 'sci-ence' and advanced modern production technology is able to keep the thujone component down to a non-hallucinogenic level in the commercially-available product.

This is simply not true, however.

Thujone is the same kind of 'villain' that Ibotenic acid has become in relation to Amanita Muscaria. 

The reality is that what makes any of these things active, as such, is so much more than its chemical structure.

The whole industry of commercial fragrances, for instance, is entirely built on a complete lie, which is namely, the Buck and Axel model of olfactory sensing. 

However let me put it another way though - superficially, it is built on the Buck and Axel model, and this is what drives the European regulatory authority IFRA. IFRA claims to be a global association covering the whole industry worldwide and that itself is just simply an outright and straight lie. Its published declaration is that it is the body that represent the industry worldwide - in fact, it is just the gate-keeper organisation that permits wholesale distribution into the European market mostly, and those other markets that have succumbed to that controller group.

Beneath this superficial belief that much of the commercial producers claim to work by, none of the actual perfumers believe it at all anymore - but they keep that knowledge to themselves in order to keep what they do really know and what they actually do, ahead of the late-comers and new-comers because of basic competitiveness.

The one clear-cut thing that all of you must by now be getting, is the understanding that your knowledge horizons are expanding massively. And this is what will give you inevitable access to the Fairy World, to the world of actual Elves and other intelligent beings.

Don't get too worried that no ET Alien turns up in your room right now today. Or that by reading about the Cave of Treasures, and even so, yet no obvious bright light has appeared from God or from your own personal viable conception of the Divine Realm.

The internet YouTube New Age and modern pop gurus will all preach that you are 'energy' and that there is a Cosmic Divine energy that is around everywhere, or somewhere, and that when you die you will go back to just being 'energy.'

Do you believe me if I tell you,
that wearing a fragrance inside the colored 
shafts of light, produces entirely
different effects and sensations
in your head, than if you wore it elsewhere?

No you will not. You will be who you are now. And you might have put together a whole lot more integrated systems inside you and expanded your intellectual tools, and your mindset, and increased and strengthened your own personal power.

It's not about 'seeing' Fairies. It's about learning about them, and learning so many many things - and not just 'scientific' things only. Science cannot tell you how to feel. How to feel is about what you want to do, and what you don't want to do. And these are personally willed things, not chemical things. Now you can insist that 'will' is simply something that results from the interplay of chemistry and biology. And that kind of stubborn foolish thinking will literally disintegrate your personality and you will die and you will disappear as an individual person when all those chemical components decay and disintegrate. So go ahead and do that if you are that stubborn and insistent but the question will remain, well but why are you being so stubborn? 

Anyone with the sophisticated enough machinery can identify your personal EMF brain patterns and program those into a large computer. And they can merge some composition of those in another machine form, another bio-mechanism, from where they currently reside, that is, 'with yours' that you have and 'identify' with yourself right now - and you will not be able to tell when you move your relative mid-point of First-in First-out algorithm activity into the subsequent structure which structure is 'really you;' whether that one or the one you just came from because you are the transferable moving mid-point, not the structure.