Among Humans

As you move around in the world, especially in cities anywhere today, you will observe that people's pace of living is too high.

The big industrials are setting the tempo of life at a high pitch in order that no one has enough time to assess the practical truth or the trustworthiness of whatever they are being told and sold - and principally this intentionally has to do with commercial products.

But one of the greatest effects of this is that management itself is left inside this fog of a falsely hyper-activated tempo.

It's only small - a bistro in Surry Hills,
Australia - but it is good.

People can literally not 'see' ahead more than a foot from their 'eyes;' from their head's rendering to their thinking mind what it is they are looking at.

Now one major problem with that of course is inadequate spatial referencing - so that they are unable to judge at what speed they are really traveling in terms of what ground they are actually covering.

Are they running on the spot?

Well they can't tell, of course.

It's possible they are, alternatively it's possible they are moving too fast and there is a wall coming up ahead which are going to collide into at speed.

People such as yourself, who have spent some time amassing lots of skills and process tools to have a good spatial awareness, good concepts about the relationships of objects in dynamic environments - and who have a much broader span of sensory receptivity and acuity - can easily see ahead and it's a mistake to suppose that other people around you can do this.

They cannot do it.

God only knows what they are trying 
to drink here - with macrons!
But it's a cool pic...

Emerging from out of that fog are many things that are able to be seen by you, and not by anyone else much.

So of course on one level a problem even then, will be if you are going to try and communicate anything to anyone meaningfully (that won't happen, probably), so on the other level though, it unveils this David Hawkins idea about 'field effects.'

Here is where you will see differentiation in 'fields' and how this impacts the lives of people and also businesses.

When one group of people have a tendency towards say, acting beneficially towards other people in their social groups, then you will see a field effect take over where it was otherwise impossible for you say, to communicate in words alone, what ought to have been perfectly obvious. But the very fact that something required to be explained anyway - that should have been perfectly obvious - means there was something preventing people from seeing that 'obvious' thing.

This is the fog of modern life.

It prevents people from seeing. And if they cannot see then maybe though, they might be able to feel instead. As long as their sensibilities have not become completely destroyed, dulled to nothingness, then they might be able to sense - a truth.

But on the whole if you mess too much with the perception abilities and pathways of human beings as a whole complete society, then they and it (the whole society) will go off the rails - as it is doing now.

Never mind. You will extract some value because you can see ahead and connect things inside the fog.

Good sailors can navigate through even thick fog and complicated waters.

Great bankers can connect people and places and have things go through thick fog and complicated waters.

...You'll never be able 'understand' this kind of music unless you are listening alone, all by yourself, and using really great headphones; many people will often say they 'like' this kind of music and 'hate' that kind, and they are talking from the position of failing to actively listen - and they probably do not listen anywhere else in their lives either. They are in the mode of feeding some pre-existing hunger. And that in the end will mean they are not listening to you as a whole person, for example... Paganini played the Cremona violins because they caused vibrations, not because 'you like them' ahead of modern-day synthesizers, which would be used by Paganini were he alive here and had access to them - and then what would that mean, suddenly you toss Paganini out the window? Oh but he's 'classical.' What does that mean??