Sex Mantra

I want to tell you about something called a 'sarangi.' It's a musical instrument from India.

The sarangi has a much more ancient origin and mysterious past, than is commonly understood. Modern popular beliefs even in India today are stilted on account of the effects of the intrusion of several waves of invaders in history who went on to occupy and militarily and politically dominate the peoples within those states of the Subcontinent where the sarangi was played.

Although numbers of players can get a tune out of the instrument, the definitive way in which it is designed to actually be played, is known to only a very rare few.

Perhaps a tiny handful of old Sikh knowledgeable individuals might remain who could relate the truth about the sarangi, and then again it is doubtful that much of the modern generation care to grasp these stories in the face of the current era's iPad invader.

Commonly, even among literate middle classes who ought to know better, the sarangi is somewhat of a taboo instrument on the basis that it has a history presumed to be traced in the brothels or at least the sex priestess sub-culture temples on the edges of the Great Indian Thar Desert in Rajasthan.

In all cases it is an 'underground' musical instrument – a feature of an 'underground' and hidden, secret culture.

As you all know, the Garden of Eden is encircled by a wall of heat and flame and fierce angels with fiery swords barring the way to mortals... So not many people get into there anymore.

However... Let me get on with my story.

Sarangi means 'one hundred colours.' A mantra is some configuration of sounds, not necessarily verbally intelligible, which have 'atomic' sound elements in them and which are the keys to various transformational powers in the material universe. And they can get you into the Garden of Eden...

The great Maharaja Jai Sing II (1688 - 1743) commissioned buildings which gathered together and housed 'celestial' technical developments along with their formulae – or principles – which went along with the instruments to allow the actual functioning of those instruments for some purpose. But the point of it all is lost today even somewhat on the many recognized scholars writing about this endeavour which is known as the 'Janta Mantar.' They tend to concentrate on what appear to be astrological purposes for the structures and formulae written on them.

Jai Sing and his architect knew that the only thing the human being can do on this earth down through succeeding generations of Mankind, is improve on the physical instrumentation; for all the fundamental principles are already known (according to the Vedas) – which is why the formulae are written down on the outsides of the structures. There is simply nothing at all being 'discovered' at CERN that is not already written down and explained by the ancient Vedantas. Vibration of the precursor quantum particle of standard matter is the foundation of the entire physical universe and this is detailed in the Naad Vedas. Even the much-vaunted aspect of chirality which people think is 'new' is dealt with there.

There is a special type of 'guru' who is of a rather occult nature in Rajasthani culture – this is the Naad Brahma master of one hundred colours. This person understands such a vast range of nuanced vibrations (of sound), that they are really able to implement a fundamental atomic sound arrangement that will legendarily 'open doorways into heaven.'

At this point I shall recommend that you look up a video clip on Youtube under the title of 'Sindhi Music Sarangi' which is a short 2.16 minute piece played by a young Langa master called Sikander Khan. (His name means Alexander the Great King btw...) This example will appropriately show how the sarangi is played in the hands of a genuine cult caste mantrik. The techniques of playing are highly confusing to a non-adept and include striking the strings with the same fingers that also at times press down, vibrato and glissande to get the bowed notes, in note patterns that contrast to the vibration of hidden sympathetic strings inside the three sound boxes.

One must realise that to properly meditate on the sarangi music in question, it is vital to remove outside interruptions of all kinds, or at least as much as is possible.

The playing of sarangi (one hundred colours), especially in this particular piece, is not, as is captioned in the video clip, merely 'a set of patterns,' but is in fact a mantra arrangement carried out by a sacred and perfected instrument that guarantees the activated results of the mantra for the person hearing it, where a problematic, untrained human voice alone cannot give that guarantee. This however is not a money mantra (which is often what people want to hear) being rendered in the video clip, it is a sex mantra.

And yet, the comparison of a money mantra, to a sex mantra, can unveil aspects of how mantrams are expected to work generally: like the sympathetic strings resonating within the sound boxes of the musical instrument, harmonic vibrations set off effects at spatial distance, and consequently at time differentials, from the precise moment energies were formed into their specific deliberate 'template' pattern in their musical mantra formulation.

Unlike money mantrams, sex mantrams transform subtle feelings, thoughts, sounds, impressions, memories and visions and are able to do so almost immediately – whereas money mantrams act on grosser material elements and take longer to 'manifest.' A sex mantra can make an almost immediate connection on what in the West is called a spiritual plane, and even a person's actual 'consciousness presence' may be evoked in a sex mantra. A deva - though not an ordinary human being – can materialize their subtle physical presence through evocation by the mantra meditation of an adept.

Most of what you will read on the web listed as being or claiming to be 'mantrams,' even on Wikipedia, consists of devotional prayers only and not actual mantrams. A mantra is an unintelligible sound as far as human speech or words are concerned and therefore not able to be translated as 'hail this god' or 'peace/love/whatever,' as is the case with almost everything you will read which claims to be about a mantra, or claims to actually be a mantra.

Real mantras or mantrams are possessed only by great individuals and passed on only to those chosen by them. However certain great scribes throughout history have also been able to more widely disseminate true indications of these things.

In future articles I must outline some techniques to bring the meditative trance condition nearer to the fully-conscious normal sensatory state, otherwise a lot of the experience of mantra practice can be lost to the current memory and held only in the subconscious.

'Guru' Calvin J. Bear I