'Towards' Satisfaction

[I've turned off the Ads now but I don't know how long till it will kick in].

I try to get to things as rapidly as possible - it's not always possible.

We will get there but we have to walk towards it.

Because we need to get a few things straight first. And those things are extremely complicated by the mishmash of ideas, many of which are internally conflicting, and the sheer amount of fraud and sometimes outright malicious misdirection that has been going on down through the ages within religious ideologies, particularly.

Photographed by Bob Willoughby.

You cannot 'find' God or any sort of genuine numinous mind and then get a reaction, by using any of the standard, the normal, the expected, means and the traditional ideas that are coming from modern cultures and what are supposedly, ancient texts/scriptures.

Let me show you something that no one will be able to get around:

The Hebrew word 'mishkan,' which is the 'tent' in which the Divine Presence would attend and appear to those specific authorized people inside it - is a word that is quite commonly known and used by modern English-speaking people today...

What?

Yes.

And as I have said before (I'm sure I must have...) the word 'Theater' means 'Theos' plus 'Atros.'

...And strangely, these words have a cognate set of words in Vedic Sanskrit: 'Astra' and 'Shastra.'

And the Greeks also use the same twists and turns expanding out from the basic concept when they say 'asteros' and 'anteros' and 'antros,' and even 'antares.'

'The God' appears in 'the Darkness.' Theos-Atros. Theater.

And for the human (audience) to hear and see and in other ways sense, the God's manifest appearance, they must go forward up towards the 'mishkan,' er, sorry, the pro-sken-ion; which means the place before the tent ('sken') thing. 

Photographed by Milton H. Greene.

So, the proscenium arch, is the mishkan tent approach.

If we take the English (Latin) word 'gratitude' it means full of pleasing.

If you go to the Greek New Testament, which is always also translated in English without altering this specific word - it is 'Pietho;' the thing Jesus says you must do in order to have miracles happen for you.

The first known library was in a place in North Eastern Syria called 'Ebla...' Not in any place called 'Babel.'

And that was around maybe 2500 BC.

And nothing in there was written in 'Hebrew.'

It was a cuneiform script.

'Pietho' is the general coverall name for the Nine Graces or Muses.

And these live here on Earth (or here and near to here), and they are real, and they can enter into specific human people from time to time, in order to elevate that specific person, or else as a means of saving a lot of people from some impending potential disaster. (Dis-Aster).

Now before going to just how, to attain the feelings of pure and total satisfaction, it's probably better to point to things we all already know about, and see what is really going on there...

As you know, Hedy Lamarr was a very very clever person, who is not just credited with, but had the patents granted to her personally, for technology we now all use that we call 'Wi-Fi.'

Invented what we now call 'Wi-Fi.'

It's actually 'frequency hopping.' And she was a member of the US OSS during World War II and afterwards. Her nephew was one of the executive directors of Agfa-Bayer.

What not many people know, is that she partnered with Roger Vadim for many movie scripts and productions.

Hedy Lamarr and Roger Vadim come from European traditions on Stage and Theater, that always had and retained, knowledge that came from a long time ago. 

I have told many times here, the 'story' of Arlecchina in Venice. The point of the Operatic Aria, is that it is the phase during which the Ariel (Hebrew word to do with what really happened inside the mishkan before the gay courtiers of King Josiah changed everything) appears embodied in the person who is ritually standing in that especially 'marked-out' place.

There is a kind of a 'melody;' a certain very specific kind of one - that has to do with the Pietho, the Muses.

The reason that you see many famous Hollywood actresses either with dark circles under their eyes a lot, or with almost sleep-closed, eyes, even when they are being photographed under hot lights, is because of techniques used by their producers and managers.

Many of the actresses who worked for Roger Vadim, swear they never even remember the actual key scenes in the movies that made them famous. And that is because they are completely under a kind of hypnagogic/hypnopompic entrancement.

Pointless talking to me about 
all of this - if someone
says 'satisfaction' I am just
always going to be thinking
about food.

...And when you watch those scenes, you will observe they all had their eyes virtually closed, except for some very brief seconds only, and in those seconds it was quite strange what you could see in those now-opened, eyes.

What is allowed to humans, is the Theater.

What is potentially allowed, is what happens beyond such organised, systematic processes.

It is allowed under the right circumstances but it is still very rare.

And all the lead-up steps are exactly the same anyway - it's just that you're doing it, either to yourself or someone else at hand, and then you have to deal with the consequences.

As ordinary humans we are very limited in our powers. The reason there are circles 'cast around occult spaces' in which there are powerful Beings present, is because that kind of power, when it 'breaks out into the people,' is more than what ordinary people can handle on any level.