I am just not the person who knows this area the best, as others will do.
The problem is not so much that I could not know about it, but that what we are allowed to know as human beings at this time in our civilization is very limited - because the subject itself is incredibly subtle, nuanced, complex.
It's far more complicated than what I will be able to point towards here and now.
The complexity involves the fact that human personal consciousness, is tied up to geometries of sound and pitch and frequency.
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| What is classic, is never 'old.' |
And unfortunately, we do live in a world, and at a time, in which there are power-mad people who will intentionally misrepresent facts, within a 'picture' of reality, in order to distort values - that is to say, ethics and morality. And they do that to destabilize society and control it for their own agenda.
For instance you might think you are a 'thing' - an embodied or incarnated spirit and a spiritual being with a 'soul;' but what all of those terms stand for is regularly determined by the social-political context.
In fact you are a design. You are fundamentally a shape which has been set into motion.
Now it really doesn't matter in our situation whether there is or needs to be 'a designer,' in order for there to be 'a design' - the important fact is that those shapes and designs are able to be distorted, twisted, manipulated.
And if maleficent people knew how to do that, well then they would if it gained them an advantage over you.
One of the reasons that time and time again, if you ever have any exposure to the modern world of 'exorcists,' you will find the recurrence of a certain style of 'heavy metal' music as being linked to demonic possession.
Now, it is not the case that 'metal music' or 'heavy metal' music is either demonic or will lead to anywhere other than quite often a headache - it is the case that a certain kind of it is not 'music' at all but is instead deliberate weaponry.
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| What is new can be classic. |
Dissonant entrainment is a technique used in so-called 'black sites' of the CIA.
It is ostensibly a torture technique but it is in fact far more than that.
One of the details of the complexity that I have referred to, is that there are also strict templates of 'human behavior/characteristics' for musical notes and chords - in exactly the same way that there are those notes and chords by the strict intrinsic rules of mathematics in the first place.
The note Middle C Major proceeds at a certain frequency (in any given Hertz-measure relative scale) and no other (in that scale arrangement)...
An innately warm and friendly and kind person occupies only a strict set of chord shapes by mathematical measure, not by some vague notion of sentiment, or opinion or whim.
The Phrygian mode was literally taught to young children from birth and maybe before by introducing it to them inside their mothers - and the doggerel taught to the kids in what would have been the equivalent to our kindergartens, consisted of 'hold your shield out to the enemy, advanced at them without retreat, spear at them at fullest force, break their spirit and resolve,' to the Phrygian drum beat. So that, in the heart and heat of a real adult battle, all they had inside and all they did was what they were raised on even from earliest childhood as a basic reflex action. They knew no other thing.
Here is a short video by an expert on music, that will open this area to your thinking:
So I deliberately did not explain why 'Octagon,' right. Because it is dangerous. In structure this is just the seven note 'octave' scale - octave to octave being eight full notes. If you're really smart, you will already be piecing things together. We've talked about 'seven things' (or eight in fact) here before. It's ALL frequencies. The field effect stems from complex formed frequencies. Making money and being wealthy is a complex frequency pattern at play. And that's all it is. Yes. That IS ALL. It has nothing to do with work or anything like that. 'Consider the Lilies of the Field.' THAT 'field.' The electromagnetic one...
ReplyDeleteDon't you mean "the electric, magnetic, and ------ fields?" I have no idea what the third component is supposed to be. Or maybe you don't mean that... I would really like there to be 3 here.
DeleteYep. You're right. Well there's this 'fluid field' concept which is the substrate or actual matrix... All the components in there are not actually 'components' but a continuum like water - infinitely plastic and permanently joined 'as one' but not like a 'blob' instead literally having cubed space locations discretely numbered within, 'outside' of which is the true 'location' of real timelessness and yet also perfect thought.
DeleteOhhh, Calvin. Are you not describing a simulation?:
ReplyDelete"In fact you are a design. You are fundamentally a shape which has been set into motion."
I'm okay with it, if that's what you're saying. Because it's liberating, ...so, so releasing .
'Simulate' means 'form like.' This is not 'like' something else as in the sense of the Ego and Personal Consciousness is simply 'like' someone else's 'perfect' consciousness - the material organic beings are 'like' something else. The internal psychology in terms of the experiencER is NOT like anything other thing at all.
DeleteGee that's hard to wade through! Must have been half-asleep when writing all that gibberish. 'You' - the part that does the experiencing - are quite unique, your body is highly substitutable. Even so, 'you' - as in the characteristic you - are also a formation or arrangement of variables of which there possibly could be a number of other versions or iterations of the same arrangements. 'You' do not want to be 'just' the experiencing part because that is way too disinterested, too objective, too remote from the humanness aspects: it's a recording mirror.
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