Ancient traditional Indian poem, right: 'first I crawl, then I run, then I fly.'
We humans, we love technology, see. We want all the good stuff, the things that will make our lives easier, and that we can use to exert power over others.
We want to go 'above,' see what is up there -, those at least, who have looked away from the pond which is at their reflection only and a mere imagining that this is what is 'up there.'
Just look at the color composition here. These Germans, you have to hand it to them - they have a scandalously vicious appreciation of semiotics in marketing. |
If you consider the latest BMW M8, the hottest versions of it, can get 60KPH in 2 odd seconds. I mean what is this? Some kind of time machine?? LOL
Is this looking 'up,' or just across at ourselves?
So what is, to look 'up?'
This is something which can only be accomplished by the quieter voices. Earth radar dishes peer into the vast cavernous expanse of space, and listen to hear something. Still, it's the 'wow' message that the scientists are all chasing. Churchill said in his speech at the commencement of the 'Great Battle,' that if Britain lost the battle, and Hitler had have dragged everyone into the abyss, it would be an abyss inclusive of 'perverted science.' He actually used those words. Why?
Now if you imagine some super advanced species from very far away, are also the product of the same kinds of grasping, shallow, power-mad academic science we are surrounded by on our planet today - from the Iranian scientists who are intent on making a bunch of nuclear bombs, to the Medico della Peste fellows running around unbridled everywhere - then you really don't want to meet them.
But what if they're not though?
'Missing Hours.' |
Then they, would have a problem with you - I mean 'us...' Us; I mean us.
This obsession about funny looking, scrawny, bug-eyed, grey thingies - comes from where, exactly?
There's just nothing but ugly things depicted everywhere, by visionary artists I suppose, or as also described by many public 'contactees.'
If you look more at those others - still in the public space - but who are less open about their own experiences, yet who nonetheless talk about 'missing hours' and 'carry me away' in their work and the language contained in their usually artistic work, you get somewhat of a different picture.
No doubt there are some outward indications too.
If you are someone with 'a quiet voice,' rather than someone who will insist that you have something to teach those thousands of years ahead of you in the Universal game, as it were, or that you simply must, be granted access to their technology...
...then you should be aware that they will 'sequester' you. You will be taken to a remote place away from the rest of humanity.
And from there, slowly but ever so slowly, you will be introduced to new ideas - things you never before had imagined, nor had understood from records of the past.
You will crawl first, before you will be even allowed to run.
In the following video from Coke Studio, you will see one of the modern-era 'great classical voices' - Monali Thakur; her voice has the range and especially the kind of power that is associated with the truly great classical Indian singers of the past. She has the classical glass crystal 'young' but stinging sharp notes... Personally I favor the individual style of Shruti Pathak here too, but you simply can't take anything away from the whole 'composed formation' of singers. Whoever put them all together on this classical piece is a genius. I know not everyone is going to 'see' this or to 'get' it - what is in here, but if you watch very very carefully you will see something... Others down in the comments section on the YT video page have observed it and commented but maybe they are just accidentally 'getting it...' The clue is just remember the main direction of this article.
The song is 'First I Crawl, Then I Run, Then I Fly.'