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Saturday, 12 January 2013

Dancing With The Sparks Of Light

This is about money, believe it or not.

And I should not be sidetracked...

But I must stop briefly and just note the odd usage of the word 'parabellum' by those philosophers of the gun around the place seemingly everywhere. I'm pretty certain 'parabellum' means 'prepare for war' in Latin. And, I also think that what it implied was a type of cheap and small round of which vast numbers thereof could be quickly manufactured, in preparation for war, where one might be expected to have to possess, and also to carry, a lot of bullets, that don't necessarily weigh a ton, and that you might also easily fire off in large numbers.

A lot of people I have heard speak recently, seem to think a 9 mm parabellum is some special kind of advanced, especially killing sort of cartridge to be used in semi-automatic pistols. Whatever. Any kind of projectile launched at a vicious speed into a human body in the wrong place can kill. Lots of things can kill.

Anyway, I actually don't want to focus on guns and bullets at the moment. However I make the point that people use words and many times what they mean, is not uniformally understood as entirely meaning the same thing as what they think they are communicating to their listeners...

Conceptions of value and wealth and luxury private material possessions are also nowhere nearly as clearcut 'uniformally defined' as we sometimes take for granted that they are.

Yes, the power or the ability to select from many choices is seemingly universally accepted as a freedom that money and wealth renders to an individual. It is of course nullified by sheer ignorance or lack of culture and lack of a wide knowledge about what things exist: people can only choose from that of which they possess some knowledge. Out of sight, out of mind; out of mind, out of any reason to be desired.

Great Car Art - even Ferrari thinks so...

I look at some modern cars around now and they seem to me excessively convolluted, even for admittedly advanced intricate machinery. A friend of mine just told me today that he found the new Black Series C63 Mercedes annoying and utterly unfunctional for driving long distances in Australia along the major outback highways.

On the one hand it may appear that electronically-fuel injected and/or turbo charged, drive-by-wire, motion sensing suspension equipped, hi-tech modern cars with alloy and ceramic engines beat the hell out of a handcrafted Aston V-8, or a Jaguar V-12 with its double bank of Weber carburettors that need to be tuned regularly... On the other hand, the obscurity of what is going on inside the hood of the car, and the shelf-life of all these modern offerings coming from over-capitalized robotic manufacturing plants in Germany, means that none of it is on the human scale anymore. It's all very – maybe too far - removed from the human physicality of sticking a hand-crank into the front of an Austin or old Ford and firing the thing 'into life.' Not that I'm saying we need to go back to all that, but the physical link to the human body/mind creature is essentially lost when it comes to modern things like cars and even buildings and city planning and art and design. And especially communication. I can still use a leaf of hand-filled deckled edge french linen paper to write a note to someone using a pen and ink – but then, nowadays would that person be able to read it and 'get the message?'

Possibly not.

And then again, I would like to be able to wear an Italian rapier on my hip more or less like an accoutrement (of clothing) when going around in public but such a thing is not legal to do, more's the pity. And by what I mean by 'more's the pity' I mean that, such a thing being illegal in my location of residence where there is no right to bear arms or to have any kind of actual or legal freedom of self-expression, it gives the general public no clue, sign, or warning as to how dangerous a person can be with words alone. I'm a dilletante when it comes to it, and I'm sure that specialized guns do a lot more damage than less-specialized ones might do, but I'm equally sure that the process of the damage and the killing begins earlier on than the moment of simply sticking the cartridge into the clip or the chamber. It begins with words. It begins with the ways in which social communication is carried on. The ideas are the seeds, and the words are the physical beginnings of actions springing from the ideas. Words – are absolutely the physically, and really, deadliest things there are.
 
Calvin J. Bear

Friday, 28 December 2012

I Try To Be Positive...


A Seriously Deluded Individual
This is John Yates, the twit who ran the Metropolitan Police in London into the ditches where Rupert Murdoch crawled in search of private conversations and personal scandals in high places that he could exploit for money.

Whether these men do these things due to genuine paranoid delusional beliefs, or whether they know only too well that they are gaining financial and other benefits at every step along their paths 'up' and are simply pretty good at hiding this inner knowledge, I do not know.

But what I am certain of is that Hebb's Rule, that 'brain cells wire together when they fire together,' is a reliable guide, and that eventually, people who continuously maintain some outward claim that they know inwardly to be false, will end up (in non-technical, entirely layman's terms) schizophrenic, paranoid, and genuinely delusional. And this is especially so when such persons actually get massively rewarded along the way for carrying off the lie - or the several lies they need to maintain, in order to push their position and their way forward.

Bernie Cornfeld - not too bad
I think J. Edgar Hoover became a seriously paranoid schizophrenic towards the end. A lot of modern psychiatrist don't like the word 'schizophrenic,' choosing bi-polar or manic or depressed – but the reality is these people have a mind split into two. I think from a little distant hindsight, now, it is possible to look back, for instance, at the financier who built the Playboy Mansion – Bernie Cornfeld – and realise that he wasn't quite the bad guy he is often made out to have been. In hindsight you can see that he brought real innovations to mutual fund investing and his legacy as a business identity might have fared better if the market had have rewarded him in any way justly for what he put into the market equity system itself, and for the support for equitisations that he gave.

But see the market never does do that and this is something well worth remembering when involving yourself in the sharemarkets at all.

The fellow that eventually caused his undoing was another of these what I would call, seriously dangerous delusional personalities – Robert Vesco. Vesco was an outrageous fraudster and criminal who exploited malicious litigation and mudslinging to advantage. He was linked to the Nixon funding regime. Whatever you might think of Nixon as a President, his backing was extremely suspect and it tarnished his political legacy, and few disagree on that point.
A really good man

But there are also extraordinarily good people about the place. They appear often in the guise of fairly simple souls. A cunning ploy, I must say. Look for more from this fellow in this coming year. (Pic on right: Tom Watson, UK MP)

Friday, 14 December 2012

Taking A Big Swing


I clearly remember the Saturday afternoon I sorta lost my nerve at the races. I had five dollars – a measly five dollars (ten dollars in all) – each way on a horse at twenty-five to one. My sister, who was working on the stand with Australasia's biggest bookmaker at the time, had confirmed to me that virtually the entire Committee had bet on this horse, which had started in the morning at 100/1.

I even remember the name of the horse now so many years later: Todvega. And it was ridden by the best jockey I have ever seen, John James (J.J.) Miller.
That's J.J. Miller on the right

The horse won in what is called over here 'a Port Hedland Photo.' This means, figuratively that the horse was in a photo-finish but the camera angle was taken from six hundred miles up North in Port Hedland, and thus it appeared as if this horse's head was in front on the line – even though it might have been way behind in reality!

Actually, I was standing at the post and this type of thing was unnecessary this time; the horse won for real coming up on the inside. Funny, though, in the published photo the shadow of its head was in the wrong place! I guess the Committee were just making sure...

During the course of the running of the race, for the first time in my life ever, I was shaking. I had plenty of time in the running to ask myself 'what the hell was I shaking for?' I had plenty of money, ten dollars wasn't going to kill me if the horse lost. Hell I had thirty five thousand sitting in bets in the stockmarket and I slept pretty good. And then it struck me, the race was a proxy for the actual bets I was really making, namely those in the stockmarket. I went right out on Monday morning and sold up everything. By Thursday the World Stockmarket Crash of 1987 had fully unfolded.

Luck? Presentiment? I don't know and it doesn't matter. Many of my friends lost massively and I had everything completely intact and was essentially in a better position because of the new context.

I had no clue exactly when the market was going to crash, even though I thought it would sooner or later. I had taken steps long before and had raised almost a million in cash from external shareholders and controlled a public company ready for the situation – this was where my main capital was, not in just the thirty five thousand I personally was playing around with.

I had intended to post today about simple and quick ways to counteract stress and/or lack of energy. And I will do that presently – if anyone is even remotely interested - but this other thing instead is calling for some attention: Bernanke says there is going to be a long long phase of slow growth ahead for EVERYONE... He bases that, I assume on the utter control he has exerted on the bond market. I think he would be correct too but for one strange dissonance that I have been observing recently. There has been way strange range volatility across sectors and categories that never previously exhibited this kind of thing. Australian blue chips varied over more than twenty-five per cent during the last year. That, is an impossibility for me to believe unless there is something, in the words of the new kids in the quant cubicles, 'latent' in the story. Something in other words, hidden to us all, going on.

You can see it too in the gold price range swings of late – the amplitude has widened noticeably.

I am told this may be because of false volumes from 'order stuffing' and that eventually there will be a price breakdown and then, if there really is genuine investor buying, the price will revert to its long term up trend. No doubt at all in my mind that the HFT people are trying very hard to damage the gold price. And maybe they can do it. But it calls into question Bernanke's certainty about a long long slow recovery for EVERYONE. Because wherever there are such large and systematic range moves, there is massive profit opportunity and when there is massive profit opportunity there is strong growth for some, not weak growth.
 
It's time for your hands to shake, again, because Ben and the 'Committee Men' want to take Port Hedland photos...
 
Calvin J. Bear 

Monday, 3 December 2012

Compositional Space


I 've been having this same old discussion recently with a few people – 'does money make you happy?'

Well if you're a regular here lookin' in on this series of tiny pieces about stuff that I think about, then sooner or later you're gonna have a pretty good idea about what you're going to spend all that money you're about to make on...

Not that you don't already, of course. But there'll be more ideas, won't there; just, more.

Desirable. I like that word. No, I actually love it.

If we don't desire things – I mean really desire them – then attaining things or getting stuff we merely want or think we want adds up to very little at the end of a day.

Composition, I find, is the great secret to all fulfilling acquisitions, that is - the secret to having satisfying possessions.

Lonely alleyways at night, for example, are composed universally of only a very few basic elements: emptiness, and stillness, almost silence, a few nondescript and old things lying about, or snow or still dark pools of water, and a solitary light or a huddling small set of lights weakly fighting the night's covering grasp. Walls demarking this place from other places.

Space – empty spaces, everywhere – are spaces just waiting to be filled. We are the people of the labyrinths. We just don't realise that it takes art, skill, and training, to be able to sidestep the monsters of the dark unknown, and to make sport of our predicament. Our supposed predicament of being in this place.

Walls between Fire and Liquid

Sunday, 25 November 2012

Bion Again


This is all off the top of my head so I'm not sure I'm going to be able to reference stuff that well...

Hey it took me about twenty minutes to remember the name of Wilfred Bion – one of the most original and influential thinkers of the Twentieth Century in the field of psychology. What with the election and Fox and storms and floods and global warming and the Four Horsemen of the Apocalypse, I stopped thinking about one of the men who began all this 'lead the minds of people to prevent war through the media...'

Bion needs little introduction to most of the people who look in on this blog. But we should remind ourselves that Bion's work was very largely conducted in absolute secrecy because he worked for the Ministry of Defence in the UK, as well as eventually, the US military. Even today, the detail that comes out of his work is, I believe, the tip of the iceberg. Well, okay, the droplets of the water from the melted iceberg that melted because of GLOBAL WARMING.
Armin van Buuren - trance dancers love him

I am grateful to JP who posted an earlier comment directing readers to a Salon article about the effects of rhythmic music. This is a Wilfred Bion idea. He conducted extensive research into the neurological effects of sound and music. A lot of the modern strands of research flow on from the research of Bion and his collaborators. Today, the most advanced researchers have moved on a long long way from the fundamental concepts about 'endorphins' and their capacity to alter sensations of pain and anxiety. 'Endorphins' covers too wide a body of chemical reactions and electro-chemical events in neurophysiology to apocalypse (yes, that's what it really means) the mechanisms of human psychological effects and affective neural pathways.

The actual way the brain functions in concert with its sensory systems, is that there is a virtual constant and continuous flood of signals going on – there are descriminating filters that pick up variance patterns and apply signification to those patterns. Sleep itself, only occurs when another system comes into play that blocks incoming and outgoing sense and nerve signals. Those signals are still going on, they just get 'whited-out' by orthogonal or 'keytonic' additional signals which have the effect of blanking out those patterns that have affective muscular reaction significance to the 'awake state' brain functions. The point really, of what I'm saying, is that there is a lot going on constantly. Nothing is actually dormant as such. And more particularly, the system of pattern recognition/signification is outlandlishly complex, I mean really. Really, it is complex.

For example, if you are familiar with the musical group 'Drum Tao' or 'Drums of Zen' (same people) then you might assume that this is certainly the type of rhythmic sound stimulation that will pump those endorphins of which the article in Salon speaks. And it might, but not because of the rhythm, but because of the pattern variances... And, researchers have found, the more subtle the variances, THE MORE SIGNIFICANCE THE BRAIN ATTRIBUTES.
Black Forest (brand name) wireless speakers
http://www.youtube.com/watch?v=z0MRzFW7o1w

I recommend Jonas Steur Featuring Julie Thompson – 'Cold Wind' – ( the link above) for an example of extremely subtle pattern variance. And if you want to compare something similar from a classical repertoire one might suggest Vladimir Horowitz playing a Chopin Polonaise. These quick, almost imperceptibly tiny pattern variances are the kinds of things the human brain responds to most of all. Waves forms, shapes, contours, calculative multiplied notes – all these electrify the brain and underscore that 'something important' is going on to the human mind. It is an evolutionary imperative. And I would listen to what these things 'say.' By accident, or perhaps not by so much accident, music shows us the meaning to our lives.

Calvin J. Bear