Progress

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This should be sub-titled - 'And The World As It is.'

So, we've got a very firm commitment of one hundred thousand dollars to go towards what eventually will be a small tract of 'farming land,' to serve multiple purposes from a kind of therapy aid for Autistic kids where they can see how it happens, and maybe participate in - as they can - growing fruit and vegetables, and also be a place where they can train and practice on drone flying themselves (we can always send them over to the front-lines in Iran when we get sick of them...). 

Won't be here! This is an
unbuyable Margaret River
Vine-Making place.

But behind the scenes so to speak, we have some University researchers who are working on the standard gene isolating projects to do with this ubiquitous 'lab-test' vegetable Arabidopsis Thaliana so that maybe at some point, these plants can grow in absolutely nutrient-very poor ground.

And that does not mean the plant itself is nutrient-poor once it is able to be established to grow in such places. It means the plant grows well by somehow extracting maximum nutrients with maximal efficiency. Theoretically this is because it contains the requisite genes.

I don't think that line of research is going to end up achieving what they all think it will, but hey, who cares, right. Maybe I can tweak them in a better direction along the way, maybe to do with extracting nutrients from living fog...

...And then even behind behind all of that, is what I am really aiming the thing at -.

So anyway at last it appears that we can move steadily ahead with the filming side of things; although maybe not the filming, just the 'further forward' production elements.

Meanwhile of course, the world is swiftly going to Hell in a Hand-Basket.

We are, in the matter of the Project, not at the 'Delivered' financing stage yet, so there is no reason to head for the shops for the expensive Champagne.

Everything starts off
nice and quiet and
charming...

And mostly the reason for that is - I am slow, and all of what comes next has to do with how well I can write things up.

But meanwhile, this is all against the existential backdrop of a world, a civilization, all of it -, in a total mess.

But you really have to think: Black Plague - 14th Century Europe... And Boccaccio.

It is ever thus.

Humans are here on this planet - as opposed to several other planets that can support this kind of life - in order to confront uncertainty and test how each of them as individuals, deals with any given instance of it.

It has taken me nearly forty years to hunt down a certain movie - and when movie buffs think of the European Plagues and classic narrative fiction movies about it, they generally think of Pier Paolo Pasolini's The Decameron, which was released in 1971.

But I think of Klaus Kinski's Vampire in Venice, which came a lot later than that - in 1988.

But then, it's actually not the case that the best scenes of the movie were made then - they were made just after Pasolini's film, and they were made to show how much better a true, or truer, rendering of the flavor of the Era itself, was able to be made by people who really knew and really had the artistic means of expressing it. 

The original director of cinematography on the movie - Maurizio Lucidi was an assistant director for Pier Paolo Pasolini previously, and I personally think the main Producer and Director Augusto Caminito, just used him to get the essence of Pasolini's treatment of Venice and Tuscany in the 14 Century. And then moved on with someone who would simply take orders precisely from Caminito himself and deliver the final product as he wished it.

...And rapidly descends into
Medieval erotica-art chaos!
As things do of course, 
with Pier Paolo Pasolini.

People remember Pasolini's The Decameron (by Giovanni Boccaccio, of course) because they are stupid and follow lurid anything with their standard mainstream middle-class 'minds;' if that's what you want to call it.

No one remembers Kinski's Vampire in Vampire and I believe even at the time, critics howled at how bad it was...

LOL

Listen, when I film 'The Alien in Venice' or in anywhere, it will be a jaw-dropping, an OMG moment FR.

After subverting sufficient of the official 'budget' that was for other, more 'genuine' things -, certain private function areas will be arranged, and the Melbourne Spice Market nonsense, spawned by Ruby R., and her friend (because don't think they were not BOTH in on the whole entire 'reveal' for marketing and publicity's sake) will pale in comparison - we will do stuff that will put the two of them to shame. Er, actually, would be the reverse - they would come out whiter than creme brulee at least.

[You have to place yourself in that small private and exclusive invitation-only dance room, and wait till the music gets there. Which is doesn't do till 1:30 in and after. Needs to be very loud! ...Otherwise you won't get the sensation of the fog-machine. The fog, machine. Now where in this article was the word 'fog' before... Hmn... lol]:

Cambions

All human-ET Alien hybrids actually living on the planet right now, or even -, that ever have stayed here for extended periods, are 'Cambions.'

This is a Roman word, and is shared among the early Celts - from some root word such as the Latin 'cambiare:' to exchange.

The most famous, and possibly the earliest Cambion to be found in English literature, is of course Merlin.

This is the actual actual
space, that Ruby Rose
claimed that...

The root word itself has the implication of a barter having been made, rather than simply some kind of forced exchange, the way people now talk about Alien abduction.

Enoch was a Cambion, because he left the planet and then came back, but he was different afterwards when he came back. His grandson Noah literally was very different from other humans and the standard religious records say that when he first opened his eyes as a baby, his parents saw that his eyes glowed green and lit up the whole room. Of course people turn around and say this is just metaphorical but it is not metaphorical - he was precisely one of those strange beings: namely, a Cambion.

It's important to understand, perhaps to accept is the better way of phrasing it since I don't expect everybody to understand something they don't believe(!) - that almost all of the Old Testament commonly transposes places and events from real historical incidents at real locations concerning real identities, with what are then proffered as Hebrew things happening in Hebrew history in places where Hebrews say that Hebrews were.

So if you take the so-called 'Tower of Babel' this was not ever a thing at Babylon despite the vain attempts to conflate the Ziggurats with this famous/infamous 'Tower of Babel.'

This story is about Byblos - aka modern day Lebanon; at least, the Coastal area there.

Ancient Byblos is where we get our standard modern Alphabet from.

This story is part of the Ancient Phoenician Empire's apocryphal history, since no standard academic historians want to strongly assert all of that narrative.

This is the front restaurant
part - which is not a private area.

Yet, that is the true picture: Atlantis being the Ancient Greater Phoenician Empire (which includes of course, Homer's rendering of the Phaeacians) and so on.

The Kings and Scribes of Byblos, devised an arrangement of phonetic (get it...) signs which could stand for otherwise very lengthy lines of Egyptian hieroglyphic inscriptions - and by this means enabled trading to happen efficiently and in a standardized and thus understood way as far as the Empire was able to go; which was basically everywhere.

It is these Phoenicians, to whom this world, this planet truly belongs formally; not to what are being called 'humans.' 'Humans' as you know them, are a huge mishmash of separate species altogether, some of which are completely inimical to actual advanced intelligent beings and are, instead, biological robotic things. Not even 'animal' as such, since many animals are far more spiritually sentient and intelligent and have more moral integrity.

There is a competing entity, or species, you could say, on this planet, which is a bitter enemy to what stands behind the Phoenician Empire peoples. And they are so angry, that down to this very minute, they are intent on destroying any vestige of the Phoenicians and their early culture here.

This planet is not a 'Prison Planet.' But it is a filter planet.

Most of the places like this
around the whole world today,
exist only as fantasies now;
as images from the past.

Individual real humans - so this means people from the Phoenician lineages - live many many lifetimes here but the process is structured in such a way that they cannot ever really remember their other lifetimes. And that is in order to filter out defective elements and retain only what goes through the 'filter' either at what they think is 'death,' or at any time when they attain the required internal being stability in terms of Permanent Moral Forms.

'Moral' here actually means Geometrical Laws and Dynamics of Forms and Force.

The standard process which is designed into the planetary mode here, is uncertainty.

And when a being confronts uncertainty, it must make a decision, somewhat like in Boolean Logic: Yes/No/Either Yes or No/Neither Yes nor No.

You can corrupt a machine, or a biologic, so that it appears on the surface for example, as a 'human.' 

But on the inside, within its intrinsic logic systems, it will curve towards real Form Logic, or it will deviate from mathematical Order.

It never rains,
but that it pours.
Remember this.

If you go back to the Kardashev Scale concept, it is impossible to have a civilization, which is not in keeping with actual mathematical Order, exist for any duration beyond this Earth human 'K-0' stage. So they can have all kinds of material technology, and yet be absent of moral compunction and be completely vacuous ethically and morally wanton and capricious, tied to or dependent on their own whims or ego.

Virtually all of what you see around you today, is corrupted biological material; totally without authentic tie to internal moral and ethical integrity.

Yet it can look sufficiently similar to quite adequate advanced Humankind, and 'buy in' cosmetics and superficial design elements, that it can regularly get away with being confused with or taken as what a human is.

Humans filter up, non-humans masquerading as humans, filter down and out.

The beauty of the process is that the standard non-humans have no sense at all that they are being eliminated... But these are just drone creatures, in any case originally 'made' by their venomous masters to serve the masters anyway; not progress to anywhere themselves.

The 'masters' of the drone creatures - who also want to enslave if not indeed totally destroy real humans - well know what they are doing. They imagine though, that in fact they are 'winning,' as in, genuinely prevailing over the human race.

Right at this precise
moment, the Sun was actually
going down exactly behind the stage.
Dunno how they did this.
It was quite impressive at the time.
And I was there. As you know.
Above & Beyond. They played the track
linked down below here, just exactly
as the Sun went down.

...And they simply must, prevent you from seeing anything above and beyond what they want to feed you in terms of information about things.

Anyway, let's turn back to the Cambions - I would much rather talk to you about the true Cambions, the really advanced ones, and not just any medium-level style of that person who is here around the place now.

It's both easier to notice the true Cambion, as well as more meaningful in material ways, if you find one, encounter them, get them to acknowledge who they are, and interact and gain from them. ...Than it is to find some newly-made 'exchange' individual.

You can leap many steps in life, if you came upon a true Cambion.

Right now this minute, governments around the world are all of them going through this style of thinking - 'we must tax the public more, because our currencies are failing and have no place left to go; we cannot afford to raise interest rates and cripple the property markets.'

Underlying this, they all also think - 'since we fooled them many times previously, all we need to do now, even though it seems they have got us found out for the present time -, all we need to do now, is fool them even harder.'

So you can bank on the most absurd, most ludicrous policies and 'ideas' when it comes to money and taxes and markets, going forward, than even your wildest nightmares ever could have constructed in the dead of one darkest night.

Nothing is ever lost...

But Life is full of uncertainty. And whereas the 'master' creatures masquerading as humans and stealing your lunch, think they have it all worked out (they are not uncertain in the least) - the Cambion creatures actually understand how to deal with uncertainty. 

And moreover they know things are about to take a turn that not even the Reptiles considered possible.

About to - when?

Now.

Keep you eyes and ears open for signs of change happening in huge ways. Because change always happens, and then only afterwards do people realize what happened.

[Real music starts at 1:20. Singing/lyrics start at 2:46]